Gadfly of the Nazis

It’s worth noting that today the church remembers a contemporary saint who took wrestling with demons, both in his heart and in his country, seriously: St. Dietrich Bonhoeffer, Teacher, Martyr, Gadfly of the Nazis.

Born at the turn of the 20th Century in Breslau, St. Dietrich grew up in the intellectual circles of Germany. He studied hard, was trained as a scholar and theologian, and as a young pastor he moved to both Barcelona (where he was assistant pastor at a German-speaking congregation) and then to New York City where he was a visiting lecturer at Union Seminary.

It was during his time in New York that he felt his guts calling him to return home to Europe, the belly of a waking beast, and fight for the soul of his people from the inside. As the Nazi party ascended in 1933, the growing anti-Semitism was alarming to him as a person of faith. From 1933-1935 he served as the pastor of two small German congregations in London, but became the voice of the Confessing Church, the Protestant resistance to the Nazi party’s coopting of the national church. He made his way back to his homeland with both conviction and trepidation.

In 1935 St. Bonhoeffer organized a new underground seminary to train theologians in the art of subversive resistance (because the Divine is subversive!), and he began publishing the thoughts flowing from his heart in this difficult, hidden work. Life Together and The Cost of Discipleship describe the role a Christian is called to play in times of turmoil, and he encouraged his fellow believers to reject the “cheap grace” that smacked of moral laxity.

In 1939 St. Dietrich was introduced to a cadre of political exiles who sought to overthrow Hitler. Working with other church leaders throughout the world, including the Bishop of Chichester, St. Bonhoeffer tried to broker peace deals, but to no avail. Hitler could not be trusted to keep his word, and so the Allies would only accept unconditional surrender.

Bonhoeffer was arrested on April 5th, 1943, shortly after proposing to the love of his life. An attempt on Hitler’s life had failed the previous year, and documents were discovered linking St. Dietrich to the plot.

After a short stay in the Berlin jail, Bonhoeffer was taken to Buchenwald concentration camp, and then on to Schonberg prison. There he wrote letters to his best friend and his fiance, and conducted pastoral duties for the prisoners there.

On Sunday, April 8th, 1945, just after he concluded church services, two men with weapons emerged from the forest, not unlike the soldiers in the Garden of Gethsemane. They said, “Prisoner Bonhoeffer, come with us!”

Bonhoeffer, putting up no fight, said to his fellow prisoner, “This is the end. For me, the beginning of life.”

He was hanged in Flossenburg prison on April 9, 1945.

St. Bonhoeffer wrestled deeply with evil in the world. He was a pacifist theologian, and yet he involved himself in the plot to destroy Hitler because he felt that to not do so would be a greater evil than the man’s death.

St. Dietrich Bonhoeffer is a reminder for me, and should be for the whole church (everyone?!), that wrestling with evil must be something everyone does with honesty and conviction, and that sometimes it comes at a price that can be quite high.

Grace is free, but not cheap.

-historical bits from Pfatteicher’s New Book of Festivals & Commemorations

-note that sometimes I use the phrase “saint” in the Protestant definition of the word: someone who has died in the faith. Bonhoeffer is not canonized by any official means, just within the hearts of those of us who trust subversion to be the ways of the Divine

-icon written by Kelly Latimore. You can buy his amazing work at https://kellylatimoreicons.com/

Takes the Cake

The Christian Celts (and the pre-Christians Celts, even, celebrating the newly thawed ground and the emergence of Spring) would celebrate Easter week with signs of new life and abundance.

Children would go about looking for nests in trees and underbrush, collecting any eggs they could find. They’d hide them in cubbies in their rooms, or under their houses, and on Easter they’d haul their findings out into the woods and have a pre-dawn breakfast of roasted eggs with the other children of the town.

On Easter Sunday the town would come together, having reserved some of those eggs for cake baking, and they’d present a village cake called a “prioncam cake,” which loosely means “capering cake” or “dancing cake.” It was decorated with woodland animals and a garland of wildflowers.

They’d put the cake in the middle of the gathering, and around it they’d dance and prance to fiddle and pipe. The best dance won the prize, the cake, hence that old saying, “That takes the cake!”

Now, on this week after Holy Week, there may still be some eggs, some treasures still hidden to surprise you…

If you’re willing to look.

Why Art

Today the church remembers a slew of 16th Century artists: Durer, Cranach the Elder, Grunewald, and Michelangelo. Though one could go in-depth on all of them, I’m going to focus this year on the one who is (probably) least well-known, and yet so influential: St. Matthias Grunewald, Artist and Secret Reformer.

We don’t know much about St. Grunewald. His name is even a fabrication, thought up by a 17th Century biographer for the enigmatic artist. His original surname was Gothardt, and he often added his spouses surname (Neithardt) to his signatures.

He spent most of his life in the upper Rhine area, and most of his professional career was under the patronage of the Bishop of Mainz and then Albrecht of Brandenburg. His artistic bent was (like most of his contemporaries) religious in nature, and he found the crucifixion and the resurrection as particularly curious events for visual exploration.

Though he was under the patronage of Rome, Grunewald was a professed admirer and supporter of the Reformation movement sweeping through the world of his day.

Many may not be familiar with his name today, but his works are worth checking out. I find them grotesquely fascinating; not as playful as Cranach’s and not as Gothic as Durer, but more mystical (perhaps) like an older Dali.

You might also want to check out the Grunewald Guild in Washington State, a community dedicated to careful artistic exploration. A number of colleagues spent time there in college and/or seminary, stretching their artistic muscles (or forming them from scratch): https://grunewaldguild.com/about-the-guild/

Finally, because finding a painting or an icon of St. Grunewald has proven unsuccessful, below is his depiction of the Resurrection. I thought it appropriate as we head toward Easter.

St. Grunewald is a reminder for me, and should be for the whole church, that art has always held hands with religion. The church was one of the first incubators for stunning creativity…and could be today, by God, if they keep dogma from squashing invention.

-historical bits from Pfatteicher’s New Book of Festivals & Commemorations

-opinions mine

Friend of the Blue Collar

Today the church remembers a 16th Century saint who deserves more nods than he typically receives: St. Benedict the African, Friar, Friend of the Blue Collar, and Champion of Humility.

note: St. Benedict shares a feast day with St. Martin Luther King, Jr. on April 4th but, because it is shared, is usually transposed to the 5th to stand alone

St. Benedict the African was born in 1526 in Messina, Italy as the son of slaves who were converted to Christianity. He was under forced servitude until he was eighteen and, once granted his freedom, made his living as a day laborer. Though he made little money at his work, he shared most of his wages with those who made less than him, and he devoted much of his off time to caring for the sick and infirm.

His race and status in Italy made him the focus of much ridicule and scorn, but his reputation for handling the derision with fortitude and undeserved grace spread. He attracted the attention of Jerome Lanzi, a devotee of St. Francis of Assisi, and St. Benedict was encouraged to join Lanzi’s group of hermits, living a life of piety.

Lanzi died not long afterward, and St. Benedict reluctantly took the helm of the lay order, leading his fellow hermits as they served those who had no one to help them. When Pope Pius IV directed all informal monastic groups to identify with established orders, St. Benedict linked the hermitage with the Franciscans, and he was assigned to serve in the kitchen.

Doing his duties with careful attention and pride, St. Benedict found small ways to enliven the lives of his fellow brothers, and he shunned the lime-light. St. Benedict, throughout his life, wanted to embody the meek way.

In 1578 this brother without formal education (he was unable to read) was appointed as guardian of his Friary. Every account notes that he was the ideal superior: quick witted, theologically profound, gentle, and attuned to the sacredness of life. He often chose to travel in humble ways, at night or with his face covered, not wanting too much attention for his work. He had the scriptures memorized, and he was known for teaching the teachers in many ways.

Toward the end of his life, St. Benedict asked to be removed from his position as guardian of the Friary, and wanted to be reassigned to the kitchen. He died in 1589, and is enshrined still today as a saint worth emulating.

St. Benedict the African is a reminder for me, and should be for the whole church, that education, family, and status are poor indicators of leadership in many ways. Resumes are ego documents that don’t reflect the spiritual sensibilities of an applicant.

-historical bits from Pfatteicher’s New Book of Festivals & Commemorations